Your work begins with presence. You are drawn to movement, emotion, embodiment, sound, ritual, transformation and live experience. You may think through the body before language. Rather than simply making objects, you are interested in creating situations, encounters, atmospheres or emotional states - work that feels immersive, vulnerable, political or experimental.

The right environment for you might be an art school, a conservatoire, a music or theatre programme or simply a community of collaborators. Performance practice has always lived across and between institutions. The question is less about where to study and more about whose company will push you furthest.